Skip to main content

Film Review: No One Will Save You (2023)

Sometimes what's not being sad is scarier than words spoken. This couldn't be more true in Brian Duffield's masterpiece of a sci-fi horror film No One Will Save You. This groundbreaking movie smashes genre tropes while giving us one of the best onscreen performances of the year (if not the decade). While on the surface, this film will be described by many as an alien home invasion thriller. While it is that, No One Will Save You is so much more. It's the multilayers that sets this movie apart. Here, you have an anti-hero's journey in the main character of Brynn. Desperate for redemption, it is her need for forgiveness that drives her through the film - recognizing the chance to save herself from the aliens who have invaded her life and home, while also saving herself from herself. Duffield's story is brilliant on many levels. It's rare in a film of this genre that we're given such a heartbreaking and intimate look into a character's emotional state, especially one that's committed a violent crime. From every perspective, we're not supposed to like Brynn. But we do. In fact, we're rooting for her to the very (unforgettable) end. Every production element of this movie is a cinematic master class in filmmaking. Aside from the ingenious and very original script, the production design (Ramsey Avery) and art direction (Kristin Lekki and Alice Alward) are exquisitely detailed and captivating. Similarly, Joseph Trapanese's score is breathtaking. Bravo to Duffield's extraordinary special effects team whose work is remarkable. Yet, the absolute standout here is Kaitlyn Dever, who plays our broken and flawed main character with a mesmerizing mixture of vulnerability and strength. Hers is a performance that is elevated above her peers, as Dever proves she can carry an entire film with very few onscreen characters and even less words of dialogue spoken. I anticipate hearing Dever's name mentioned a lot during the upcoming awards season and deservedly so. While the sparse dialogue aspect of No One Will Save You might seem gimmicky and serve as a great marketing tool, Duffield's hit film demonstrates that the real terror is silent and lies within. 

David-Matthew Barnes

🍿🍿🍿🍿🍿⭐⭐⭐⭐⭐

Comments

Popular posts from this blog

Film Review: The Adam Project (2022)

Watching Shawn Levy's sci-fi action comedy The Adam Project is a fun, thrilling experience. The concept of the film is clever: a fighter pilot travels back to a specific point in his life, only to meet (and bond with) his younger self. The always-charming Ryan Reynolds is our leading man, playing the grown-up version of Adam Reed. Reynolds continues to prove he knows a thing or two about being funny. Here, his comedic timing is sharper than ever, evident each time he delivers hilarious lines of dialogue. The pairing of Reynolds with young actor Walker Scobell (who plays a 12-year old version of Adam Reed) creates a fantastic comedic duo. Their dynamic is very enjoyable to watch. They are surrounded by an all-star cast, appearing mostly in supporting roles, including Mark Ruffalo and Jennifer Garner (both should've been given more screen time), and a devilish performance by Catherine Keener as an ultra-villain who you will love to hate. At the heart of the film, this is a good

Film Review: Joy Ride (2023)

Joy Ride is a lot of things: a bawdy comedy, a fun road trip movie, a daughter's quest, a hero(ine)'s journey, and a not-so-deep exploration of gender norms and stereotypes. While the laughs are plenty and the cast is charming, the film tries to figure out what it is and the result is a bit muddled.  Director Adele Lim (in her directing debut) knows how to tell a good story. Her pacing of the movie is what keeps this comedy going. Little room is left to catch your breath before you've been moved on to the next outrageous situation, seemingly set up to allow the cast of comedians to shine. And they do, in part to Lim's directing, but also because all four actors are so damn entertaining: Ashley Park. Sherry Cola, Stephanie Hsu, and Sabrina Wu. Any of them could easily carry a film on their own. Here, they each have some terrific moments, but are ultimately diminished by a film that's too full.  Structurally, the film's first two acts work really well. After a qu

David-Matthew Barnes' Top Twelve Horror Films

In alphabetical order because I love them all. Aliens (1986) Sigourney Weaver is the ultimate alien-fighting heroine is this horror-action classic, featuring one of the best spoken lines in any film: "Get away from her, you bitch!" Bride of Frankenstein (1935) One of the best sequels ever made (and even better than Frankenstein, in my opinion), owed to Elsa Lanchester's brilliant performance in the title role and James Whale's masterful direction. Black Christmas (1974) One of the first slasher films, this creepy tale set in a sorority house influenced many similar movies to follow. The Changeling (1980) Truly one of the best ghost stories made for the screen, this film is a horror masterpiece. Curtains (1983) This Canadian slasher flick features one the scariest ice skating sequences ever. The Fury (1978) This was the first horror film I saw as a child and it's impact on me has been lifelong. Amy Irving's final moment of revenge makes this great movie we